Videos Gospel Musicians Neo-Soul Keys Studio – Audiofanzine
But, nothing could hold him back after he’d got hands on with the Neo-Soul Keys Rhodes emulation Kontakt library. Jay tells it like it is I started singing and playing keyboards in rock and roll bands in the mids, after the Beatles made everyone want to be a Beatle. But it frustrated me in that it had no sustain pedal and not much dynamic range.
Neo Soul Keys Studio
But, nothing could hold him back after he’d got hands on with the Neo-Soul Keys Rhodes emulation Kontakt library. Jay tells it like it is I started singing and playing keyboards in rock and roll bands in the mids, after the Beatles made everyone want to be a Beatle.
But it frustrated me in that it had no sustain pedal and not much dynamic range. Wurlitzer store and there saw a new Wurlitzer Electronic Piano. It was also pretty affordable. I also bought a used Farfisa organ and I was good to go playing the music of my favorite British Invasion groups.
In the early 70s, I was offered a gig in LA so I sold my keyboards and moved. By then, Wurlitzer had replaced the with the black plastic bodied a, made famous by The Beach Boys, the Carpenters, Supertramp, etc.
The Wurlitzer electronic piano was a bear by the way to keep in tune. If you played it hard long enough, the reeds would eventually break and when you bought new ones, they were sharp unless you filed off some of the solder it came with, or flat, in which case you had to add solder. So a good tech was worth his weight in gold.
But I loved the sound and I still do and in recent years, it has made a big time comeback. By now however, I was listening to other kinds of music.
Stevie Wonder, Herbie Hancock, Billy Joel, and others got my attention and they were playing an electric piano that sounded very different from my beloved Wurlitzer, the Fender Rhodes, a tine-based instrument. More bell-like in tone ands with a greater range of dynamics, it was initially weird for me to play as it had a spongy action that literally required a different technique. But I loved the creative possibilities it afforded me, and so I bought a used silver top suitcase model. The suitcase sat on a speaker cabinet and had a great tube sound and panning tremolo that was very distinctive.
They could be tweaked to sound quite differently. Later models had thinner tines which gave it less of a bell sound but more funky, and then when the Mark series of Stage models came out, played through different amps, there were a gazillion different Rhodes sounds out there. Once again, a good tech was worth his weight in gold. I had mine tweaked and ended up with a very personal Rhodes sound that nonetheless was clearly classic Rhodes. The Rhodes sound kind of went out of fashion in the 80s, replaced by a version of it on the Yamaha DX7 popularized by guys like David Foster.
I sold my Rhodes and Wurly and went DX7. It was a lot easier to carry around and did many more things well than my originals, but it was thin and just flat out lacked the soul. Obviously others eventually reached the same conclusion, as there are now a goodly number of Fender Rhodes and Wurlitzer virtual instruments and libraries, some of which are quite good and I was not unhappy with my choices.
It also provided great control over them, with high-quality built-in FX, and I knew I had to have it. Well, work with an orchestral palette came around and I put purchasing it on the back burner. It is incredibly versatile and customizable.
In the following picture, I have loaded up the default patch for the suitcase, which is still my favorite Rhodes. You can control the velocity curve. There is a great sounding chorus, spring reverb, phaser and other FX. There are even amp simulations, which are particularly useful for the Stage model and the Wurlitzer, as indeed people did and do play them through all kinds of different keyboard and guitar amplifiers.
But hey, who says you have to be authentic? Put one on a suitcase if you like. They even include some combo patches that combine different combos of the two Rhodes and one Wurlitzer models. Go crazy! I did have one kind of WTF moment.
This for me is one of the strengths of this collection and no tuning issues in the Rhodes models bothered me at all, but when I loaded up the default Wurlitzer patch, frankly it did. I immediately emailed the good folks at gospelmusicians. Personally, I would only feel the need to use it with the Wurlitzer, but it is certainly nice to have the options.
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“Neo Soul Keys” is by far the most realistic, organic, buttery, creamy, gritty, and dirty Electric Piano Suitcase, Wurli, and Stage emulations ever made!. Download Neo-Soul Keys® Studio and enjoy it on your iPhone, I’d say that this app is great for any producer or jazz/gospel/funk musician. Neo-Soul Keys® Studio is the newest iteration of Gospel Musician’s legendary Neo-Soul Keys versions. It is a standalone sample library plugin.
60% off Neo Soul Keys by Gospel Musicians [ENDED]
More importantly, Gospel Musicians added a ton of mechanical noises to add grit, dirt, and realism to your EP experience. Their number one goal was realism and to give you the most organic experience ever in an EP library. Gospel Musicians went to great lengths to make sure that if you could not take your heavy electro-mechanical instrument to your gig, or session, then this EP library would be the next best thing. A heavy amount of detail, thought, and programming went into this library as it boasts almost 8. Gospel Musicians say the details make a difference and you will clearly hear the meticulous amount of detail that went into sampling every nuance and mechanical noises necessary for a complete EP experience.
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Watch: Neo-Soul Keys® Studio is Now AVAILABLE! — Audiobus Forum
New Release: Neo-Soul Keys® Studio:: 60% Off Sale and 80% Off Crossgrade. Neo Soul Keys refill is no longer for sale by Gospel Musicians so this is likely a pirated copy being passed off with another name. I have the. Does anyone know if Gospel Musicians’ Neo Souls Keys (https://gospelmusicians .com/iyvixu.me) product samples can be.